Saoirse Ronan overcame ‘Lady Bird,’ jet-lag and priceless pebbles to make ‘On Chesil Beach’

Saoirse Ronan and Dominic Cooke talk us through the production of On Chesil Beach, which was a bit more hectic than you might expect for a romantic drama.

The Irish actress and director Dominic Cooke talk us through the luscious romantic drama

By Gregory Wakeman, Metro

Saoirse Ronan had been eying up the leading role in Ian McEwan’s On Chesil Beach for quite some time before she was eventually cast.

Having shot to prominence because of her Academy Award nominated performance in 2007’s “Atonement,” which was also written by McEwan, the Irish actress had an affinity to both his work and him as a person. It was clearly mutual.

“I remember the first time that Ian came to the set of ‘Atonement’ everyone was so nervous, because it was the person who had created it all,” Ronan recently recalled to me. “Because I was so young that hadn’t sunk in. So, for me, I was like, ‘Oh come on, it is only Ian. Come with me I will show you around the set.’ We got along straight away. We clicked and stayed in touch for all of these years.”

But when McEwan was developing “On Chesil Beach” with Sam Mendes back in 2010 Ronan was 16-years-old, which was just too young for the part. The movie industry can work in mysterious ways, though. So while Mendes’ decision to swap “On Chesil Beach” for James Bond and “Skyfall” pushed it into a 5-year period of development hell, it also gave Ronan to grow into the character.

“I was the right age when it all came together,” Ronan recalled, while for Dominic Cooke, the director who replaced Mendes, she was the obvious choice.

“I instantly loved the script when I read it. I quickly got on board, and around that time ‘Brooklyn’ had come out, and I thought it was a no-brainer that she should do it. Once she committed to doing it things started to snow-ball quickly.”

After “Brooklyn” Ronan was very much in demand, though. So much so that for one “very tricky week” she had to combine shooting “Lady Bird” in Sacramento and New York with rehearsing and filming “On Chesil Beach” across the pond.

“I was shooting ‘Lady Bird,’ I wrapped in Sacramento on the Saturday. Flew into London on the Monday morning. Went straight to the read through. Did 4 days of rehearsals for ‘On Chesil Beach.’ Then on the Thursday flew back to New York. Friday morning at like 5am we started to shoot the ending of Lady Bird.”

“And then I flew back and started ‘On Chesil Beach’ on the Monday. So it was an insane week. It is tough. People do that all the time, and I don’t know how they do it.”

Through this chaos, Ronan was able to jump back into the mind of Florence with the assistance of a violin, which plays a pivotal part in the film and the story.

“What helped, though, was to practice the violin, which kept Florence in the back of my head. Being able to know how to handle the violin and have a relationship with it gave me a good doorway into the character and the film.”

For Cooke, though, no-one else but Ronan would have sufficed for the film. “The thing about Saoirse is she has a great sense of storytelling but is still completely in all of the scenes and in the moment.”

“She has a great sense of the story and what is important and the function of the scene, she’s really adept at being able to tell the story and the character really well.”

There were more complications to production, though, most notably from the titular beach, which they had to fight to film on.

“It is a site of special scientific interest,” explained Cooke. “So for a big chunk of the year you can’t actually even go there. At either end is fine, but this specific strand where we filmed you can’t go, because there are so many rare birds breeding there.”

“To get across that lagoon took us ages, because the water is shallow and we had to be so careful not to disturb anything. But it was special. They are very strict about not touching the pebbles.”

That was something that Ian McEwan himself learned the hard-way, as he was fined over $2,000 after he admitted to taking some of the pebbles from Chesil Beach and keeping them on his desk while writing the novel.

“It did seem a little over the top asking him to return two pebbles,” Cooke said of McEwan’s offense. “But they have these rules to stop other people taking them in large quantities.”

Even after production there was one more minor set-back, as it became clear that “Lady Bird” and “On Chesil Beach” were scheduled to be released at the same time. Cooke and his team decided to make-way for Greta Gerwig’s feature film debut, which is now looking for a very wise decision.

“I finished on it about a year ago. We decided to delay it because ‘Lady Bird’ had come out. The discussion is a lot about Saoirse, and you can’t ask an actress to promote two films at the same time.”

“So one has to go first. And they had shot that first, and it just seemed like the honorable thing to do. I think it has worked out really well, because ‘Lady Bird’ was fabulous and such a great success, so that has helped us.”

You can see how “On Chesil Beach” compares when it is released in New York on May 18, before it extends across the country over the next few weeks.


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Entertainment News: Saoirse Ronan overcame ‘Lady Bird,’ jet-lag and priceless pebbles to make ‘On Chesil Beach’
Saoirse Ronan overcame ‘Lady Bird,’ jet-lag and priceless pebbles to make ‘On Chesil Beach’
Saoirse Ronan and Dominic Cooke talk us through the production of On Chesil Beach, which was a bit more hectic than you might expect for a romantic drama.
Entertainment News
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